This film brought drastic changes to the Korean
society with its story of a freedom- loving married women, Sun Young. Based on the serial novel in a major newspaper (Kim 193), Hyung
Mo Han’s adaptation of the “Madame Freedom” dramatizes its theme in depth by articulating
the female characters.
In addition, I believe that the theme
of this film is what led “Madame Freedom” to be a huge box office hit in 1956. According
to Soyong Kim, “Films featuring female protagonists made for and consumed by
women have been an important revenue source for the South Korean film industry
since 1955. (Kim 185).” All the people living in Korea were devastated after
the war. This film deals with the story of an ordinary middle class woman becoming
extraordinary with the freedom.
At first, Sun Young was just a
housewife looking after the elite husband and the son. She always needs her
husband’s permission to make a decision even if it is a small one. However, after
Sun Young gets the permission to work at the Paris Boutique, she is exposed to
the Western consumerism and becomes very independent to the point where she spends
hours in the dancing hall at night without telling her husband and abandons the
son. Sun Young no longer wears the traditional 'Han Bok'. She starts to wear the Western suit as she gains more freedom.
By watching this film, one can figure out that women’s freedom outside of
their home is closely linked to the western consumer culture. During the 1950s
period in Korea, this was not possible for most of the women in the middle
class. In cinema, “we demand something
different (Corrigan 49).” During the hardship,
Korean women might have wanted to see something different. Something unrealistic
to fulfill their lifelong dream. This
include Sun Young going to the dance hall with different dance partners, and being
able to afford expensive western goods. Also, I’m sure it was very shocking for
the Korean women to see the female dancer at the dancing hall.
At the time when this film was
released, Korean women were not familiar with the word ‘fancy’ or ‘freedom’. I’m
curious of what Korean women thought after viewing this film.
If you have any comments / opinions,
please share them with me!
Works Cited:
Kim Soyoung, "Questions of Women's Film: The Maid, Madame Freedom and Women," in South Korean
Golden Age Melodrama, 185-200.
Timothy Corrigan, Chs. 2-3 A Short Guide to Writing About Film, 6th Ed., 18-80.
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