A movie “A Single Spark” illustrates the period of newly-industrialized
South Korea in 1970s and also captures the struggles of the labor activist
movement in Korea (Kim 107).
In “A Single Spark”, it is only Tae-il’s father who speaks
to Tae-il about the labour law (Kim 115). He mentions “all of those bastards
who violate the labour standard laws should be arrested” in a very short 10
second conversation. “The father’s endorsement of Tae-il’s political commitment
encourages Tae-il to study labour lawas later on and to protest company policy
on legal grounds” (Kim 115).
In this ordinary scene, Tae-il’s mother brings in the meal
in the living room for the whole family. There are two daughters and two sons
sitting down with the father and mother. Tae-il speaks to his mother about the
girl at the factory who is about his sister’s age. This girl was fired at the
factory because she was coughing up blood. The father jumps in the conversation
and talks about cruelty of the factory owners and the existent of labour law. The mise-en-scene of this scene tells the
viewer the characteristics of the Tae-il’s family. Tae-il is raised under the
warm-hearted mother and the father with a proper attitude. “His family’s support and
love form the foundation for Tae-il’s dedication and strength so that he can
adopt the role of leader” (Kim 115).
At first, the camera shoots the whole family having a meal
then as the father talks about the labour law, it zooms in to Tae-il face. The bird’s
chirping sound is accompanied by this close-up. This bird sound reminded me of the song of birds that ushers in the dawn. This sound
represented Tae-il’s “enlightenment” of labour law. The father’s face is never shown throughout
this scene. Personally, I do not understand why the father is facing the
opposite side of the camera. I think he is a very important character to Tae-il since that the father is the one who triggered Tae-il to be a “labour organizer”.
I wonder why the director made this scene very short when
this scene seems like “a single spark”. This is the moment when Tae-il
starts to research about the law and spreads the words to other labourers. It
is this single spark which started the
uncontrollable fire.
Works Cited: Kim Kyung Hyun. The Remasculinazation of Korea
Cinema, Durham: Duke UP, 2004.
No comments:
Post a Comment